Art's state of the Art

Balance

Author unknown

Email This BlogThis!Share to Twitter Share to Facebook Share to Pinterest

Labels: Balance

No comments:

Contact Us

Name

Email *

Message *

The Griot’s Dream

oil on canvas © Xea B. africanhomage.com

Labels

African Homage
Xea B.
art
CWG Design
ABOUT ART
Addé
BRUNO MARIO KIRCHNER
ART / All the top ART news there/ Alltop guykawasaki
African Score
Amazingly articulated body / Corps articulés
Ambera Wellmann
Animations / Dustin McLean aka Dustball
Archeologie experimentale
Architectural thanatopraxy: how to turn a wreck into an ephemeral piece of art
Arthur Shapiro Illusions d'optique
Articles sur la vente Yves Saint Laurent-Pierre Bergé
Balance
Bauhaus: Ninety Years of Inspiration/ Smashing Magazine
Beau Lotto: Optical illusions show how we see
Bits to Atoms
Blast from the past: Remote ancestors and faces in 3D
Bond contre TP dans Contract Jack
Bratt Pitt
Burn David Nutt
Bâle 2009? No
COERCITION
Call me Pablo
Celebration of the Pende Mbuya
Chocolate Couch
Comment reconnaître le talent?
Communication Design Persuation
Conceptual Art kELLOGS
Could be Art Brut
Crusty Greek Statue May Aid "Biofouling" Fight
Créer un Tchat sur son Blog
DE QUOI VIVENT LES ARTISTES
Dali strikes from beyond
Dalton Ghetti
Dancing Paint by Adam Connah
Design versus Stylisme
Diego Giacometti
Drawings under the influence of LSD
Dripping / Pollock / Fourtyfor Theory
Du Classicisme
Du retour à l'orthographe et de la mort de la typo SMS
EPERIENCES GRAPHIQUES
EQUILIBRE PARFAIT
Elements of Bourdieu
Emmanuel Barcillon
English Russia » An Abandoned Horror
Exhausted Painted Body
FORUM WEBJAM / L'état de l'Art
Full Chord expected
GUY BONNARDOT
Glass Microbiology / Luke Jerram
Hommage au plasticien inconnu
Illustration du dernier commentaire
Jean Tinguely
Jean-Michel Othoniel
Jesse Kand
Julie Levesque sculpture
L'Oeuvre et le Goût
L'Origine du Goût
L'accés aux oeuvres
L'accés aux oeuvres (suite)
L'art et l'argent
L'art peut-il être numérique?
LA DISTINCTION / PIERRE BOURDIEU
LA MAGIE DE LA PATAM'
LA NATURE COMPOSE
LE BON GOUT
LE CARAVAGE UTILISAIT LA PHOTOGRAPHIE
La Foire de Bâle devient la plaque tournante des investisseurs
La France un grand pays de fromage
La Sociologie et l'Art
La création artistique face à la politique
Lakshmi Mittal
Laurent CrasteLaurent
Le "bon goût" et l'Art
Le Sens du Mot
Les Sciences et l'Art
MUTO a wall-painted animation by Blue
Marcel Duchamp
Mark Mawson
Mes photos
Mike Kelley
Music
Nick van Woert
Niki de Saint Phalle
Noriko Kuresumi
Novgorod 13th siècle
Où sont les Artistes?
Peter Schjeldahl on Yves Klein: Audio Slide Show : The New Yorker
Philosophy meets Mathematics
Pol Bury
Polymodal Culture
Pourquoi traiter de l'Art?
Pourquoi traiter de l'état de l'Art?
Ralph David Lichtensteiger / Things
Raymond Loewy
Roman Abramovitch
Sand textures
Scuptures in Motion by Peter Jansen / Dyscario
Shinichi Maruyama
Somewhere in London signed Marjan Zahed-Kindersley
Summonation
Tentative de définition
The Griot’s Dream
Une œuvre se suffit à elle-même
Video Pourquoi traiter de l'Art?
Virginia King Sculptor
Whirlwind of Signs
Wispers of the invisible
World' Firsts / Les premiers au Monde
Xia Xiaowan
Yves Klein Le saut de l'ange
Yves Klein Les Anthropométries Live
art is suicidal
dance
dancer
largest interactive screem wall
motion
nude
plagiarism
science
the life-sized sculpture
xeabeaudoin-portrait by Artpjm

Subscribe via email

Enter your email address:

Delivered by FeedBurner

ART AND MONEY

Art and Money / L'Art et l'Argent
The fields, mods, ways of expression, new media, have raised and evolved a lot.
Curiously the references are still those of painting and sculpture.
The reference to static objects exposed free of charge remains a majority.
The polemic around the P2P (I will not enter this debate here) has had, at least, the merit to enlight an obviousness: need for remunerating people who create.
Any form of creation relies on the existence of a market with a production budget upstream and financial repercussions downstream.
This elementary principle which governs, de facto, any form of activity, does not apply to arts…

Artists have the right to live too ( yes Sir!)
Then they have to self produce, finance and manage their production and then, aftermath, find some market issues.
Contrary to other forms of expression, they dont get financial support whether from art galleries (except for rare exceptions) or other structures and then the public get access to their works for free (finding it normal) and no one cares about the situation…

New fields/ ways of expression have raised which are also confronted with this difficulty.

I will be glad to debate this matter here…

L'état de l'art by Armand Dauré est mis à disposition selon les termes de la licence Creative Commo ns Paternité-Pas d'Utilisation Commerciale-Pas de Modification 2.0 France. Les autorisations au-delà du champ de cette licence peuvent être obtenues à http://letatdelart.blogspot.com/.

Blog Archive

► 2016 (2)
- ► March (2)

► 2015 (8)
- ► October (1)
- ► September (6)
- ► January (1)

► 2014 (2)
- ► September (1)
- ► May (1)

► 2013 (3)
- ► August (1)
- ► January (2)

► 2012 (7)
- ► December (1)
- ► August (1)
- ► July (1)
- ► February (1)
- ► January (3)

▼ 2011 (10)
- ► September (1)
- ► August (1)
- ► July (3)
- ► June (1)
- ► April (1)
- ► March (1)
- ▼ January (2)
  - Balance
  - Xia Xiaowan

► 2010 (17)
- ► December (1)
- ► November (1)
- ► September (1)
- ► August (4)
- ► June (2)
- ► May (2)
- ► April (2)
- ► March (3)
- ► February (1)

► 2009 (47)
- ► December (5)
- ► November (2)
- ► October (4)
- ► September (2)
- ► August (5)
- ► July (5)
- ► June (4)
- ► May (5)
- ► April (6)
- ► March (1)
- ► February (5)
- ► January (3)

► 2008 (36)
- ► November (3)
- ► October (17)
- ► August (1)
- ► July (12)
- ► June (2)
- ► March (1)

Texte Armand Dauré

Pourquoi traiter de l'état de l'Art?
L'Art et l'argent.
Tentative de définition.
La création face à la politique
Elements of Bourdieu.
Du classicisme.
L'accés aux oeuvres.
L'accés aux oeuvres (suite)
De quoi vivent les Artistes
Où sont les Artistes?

Balance

No comments:

Blog Archive

Texte Armand Dauré

Followers